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Fascinated with wildlife and its biodiversity, Neil the uses the Mesopotamian cultural inception of cuneiform writing as a device to analog our imperative to transform and adapt. Where pictographic animal illustrations on clay tablets - used as a means of communication - transitioned into abstract forms as cuneiform characters to form word-concepts.
Neil imagines cuneiform tablets as moulds, employing the characters (negative voids) to cast positive triangular versions. These characters are assembled as recognisable animal representations on the cusp of segmenting into cuneiform characters. His sculptures encapsulate this transformative-adaptation as it grasps contemporary expression.
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